IKM only have the Tape Echo for delay, although it's cool if you want that kinda vibe. The Bus Compressor has always been on my stereo out, although I seem to be using the Dyna-Mu more and more recently (also fab in M/S mode) and the Stealth Limiter is great at the end of the chain.īit more tricky for reverb and delay though. The 76 is set really quick to clamp down on any peaks and the 2A gently squeezes and levels out the vocal. My absolute go to these days (mostly mixing indie/rock/punk) is the Black 76 followed by the White 2A in series for vocal channels. I generally use the stock plugins in Logic for slightly mundane tasks, such as corrective EQ before using something a bit more esoteric for flavour. Ok, I seem to remember Cubase 10 having a fairly usable channel strip with a decent 'vanilla' compressor and EQ section. Other users will, I hope, join in, with their own views. But the more you try things out the more you will understand the differences between the plug-ins and how to use them to the best effect. If the result is not to your liking try one of the other plug-ins of the same genre. Try it, making adjustments to get close to the desired sound. What would I suggest? Pick one of the plug-ins that nominally will provide the effect you want. And, if you look at other FX chain plug-ins you often see that the modules can be re-ordered / replaced / removed. The chain I posted is just an example of what works for me. And some are easier than others for me to use. Each T-Racks plug-in (and those from other developers) has itr own unique, often subtle, characteristics. It all depends on the original sound, what you want to do with the sound and the effect you are trying to achieve.ĭo I always use T-RackS plug-ins? Not always.
First off - no specific plug-in recommendations from me.
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